DayPoems: A Seven-Century Poetry Slam
93,142 lines of verse * www.daypoems.net
Timothy Bovee, editor


Spring Song of the Birds

King James I

1394-1437



WORSCHIPPE ye that loveris bene this May,
For of your blisse the Kalendis are begonne,
And sing with us, Away, Winter, away!
Cum, Somer, cum, the suete sesoun and sonne!
Awake for schame! that have your hevynnis wonne,
And amorously lift up your hedis all,
Thank Lufe that list you to his merci call!




Beautiful Stranger

Dysanne Allister R. Cuaresma

21st Century



As I struggled I didn't see
This beautiful stranger watching over me.
I have loved and had my heart broken;
And nobody dared break this door open.
I locked it up with pain and fear,
Unaware this stranger loves me dear.
He was knocking, dying, pleading upon this door of my heart;
Why did I realize it only now we have gone apart?
Now that he has won this heart of mine,
Where is he, his love divine?
I guess I'll have to wait forever
'Coz I've learned to love this beautiful stranger.




Blind

Harry Kemp

1883-1960



The Spring blew trumpets of color;
Her Green sang in my brain --
I heard a blind man groping
"Tap -- tap" with his cane;

I pitied him in his blindness;
But can I boast, "I see"?
Perhaps there walks a spirit
Close by, who pities me, --

A spirit who hears me tapping
The five-sensed cane of mind
Amid such unguessed glories --
That I am worse than blind.




The Sun rises bright in France

Allan Cunningham

1784-1842



THE sun rises bright in France,
And fair sets he;
But he has tint the blythe blink he had
In my ain countree.

O, it 's nae my ain ruin
That saddens aye my e'e,
But the dear Marie I left behin'
Wi' sweet bairnies three.

My lanely hearth burn'd bonnie,
And smiled my ain Marie;
I've left a' my heart behin'
In my ain countree.

The bud comes back to summer,
And the blossom to the bee;
But I'll win back, O never,
To my ain countree.

O, I am leal to high Heaven,
Where soon I hope to be,
An' there I'll meet ye a' soon
Frae my ain countree!




Song of the Lotos-Eaters

Alfred Tennyson, Lord Tennyson

1809-1892



THERE is sweet music here that softer falls
Than petals from blown roses on the grass,
Or night-dews on still waters between walls
Of shadowy granite, in a gleaming pass;
Music that gentlier on the spirit lies,
Than tired eyelids upon tired eyes;
Music that brings sweet sleep down from the blissful skies.
Here are cool mosses deep,
And thro' the moss the ivies creep,
And in the stream the long-leaved flowers weep,
And from the craggy ledge the poppy hangs in sleep.

Why are we weigh'd upon with heaviness,
And utterly consumed with sharp distress,
While all things else have rest from weariness?
All things have rest: why should we toil alone,
We only toil, who are the first of things,
And make perpetual moan,
Still from one sorrow to another thrown:
Nor ever fold our wings,
And cease from wanderings,
Nor steep our brows in slumber's holy balm;
Nor harken what the inner spirit sings,
'There is no joy but calm!'--
Why should we only toil, the roof and crown of things?

Lo! in the middle of the wood,
The folded leaf is woo'd from out the bud
With winds upon the branch, and there
Grows green and broad, and takes no care,
Sun-steep'd at noon, and in the moon
Nightly dew-fed; and turning yellow
Falls, and floats adown the air.
Lo! sweeten'd with the summer light,
The full-juiced apple, waxing over-mellow,
Drops in a silent autumn night.
All its allotted length of days,
The flower ripens in its place,
Ripens and fades, and falls, and hath no toil,
Fast-rooted in the fruitful soil.

Hateful is the dark-blue sky,
Vaulted o'er the dark-blue sea.
Death is the end of life; ah, why
Should life all labour be?
Let us alone. Time driveth onward fast,
And in a little while our lips are dumb.
Let us alone. What is it that will last?
All things are taken from us, and become
Portions and parcels of the dreadful Past.
Let us alone. What pleasure can we have
To war with evil? Is there any peace
In ever climbing up the climbing wave?
All things have rest, and ripen toward the grave
In silence; ripen, fall and cease:
Give us long rest or death, dark death, or dreamful ease.

How sweet it were, hearing the downward stream,
With half-shut eyes ever to seem
Falling asleep in a half-dream!
To dream and dream, like yonder amber light,
Which will not leave the myrrh-bush on the height;
To hear each other's whisper'd speech;
Eating the Lotos day by day,
To watch the crisping ripples on the beach,
And tender curving lines of creamy spray;
To lend our hearts and spirits wholly
To the influence of mild-minded melancholy;
To muse and brood and live again in memory,
With those old faces of our infancy
Heap'd over with a mound of grass,
Two handfuls of white dust, shut in an urn of brass!

Dear is the memory of our wedded lives,
And dear the last embraces of our wives
And their warm tears: but all hath suffer'd change;
For surely now our household hearts are cold:
Our sons inherit us: our looks are strange:
And we should come like ghosts to trouble joy.
Or else the island princes over-bold
Have eat our substance, and the minstrel sings
Before them of the ten years' war in Troy,
And our great deeds, as half-forgotten things.
Is there confusion in the little isle?
Let what is broken so remain.
The Gods are hard to reconcile:
'Tis hard to settle order once again.
There is confusion worse than death,
Trouble on trouble, pain on pain,
Long labour unto aged breath,
Sore task to hearts worn out with many wars
And eyes grown dim with gazing on the pilot-stars.

But, propt on beds of amaranth and moly,
How sweet (while warm airs lull us, blowing lowly)
With half-dropt eyelids still,
Beneath a heaven dark and holy,
To watch the long bright river drawing slowly
His waters from the purple hill--
To hear the dewy echoes calling
From cave to cave thro' the thick-twined vine--
To watch the emerald-colour'd water falling
Thro' many a wov'n acanthus-wreath divine!
Only to hear and see the far-off sparkling brine,
Only to hear were sweet, stretch'd out beneath the pine.

The Lotos blooms below the barren peak:
The Lotos blows by every winding creek:
All day the wind breathes low with mellower tone:
Thro' every hollow cave and alley lone
Round and round the spicy downs the yellow Lotos-dust is blown.
We have had enough of action, and of motion we,
Roll'd to starboard, roll'd to larboard, when the surge was seething
free,
Where the wallowing monster spouted his foam-fountains in the sea.
Let us swear an oath, and keep it with an equal mind,
In the hollow Lotos-land to live and lie relined
On the hills like Gods together, careless of mankind.
For they lie beside their nectar, and the bolts are hurl'd
Far below them in the valleys, and the clouds are lightly curl'd
Round their golden houses, girdled with the gleaming world:
Where the smile in secret, looking over wasted lands,
Blight and famine, plague and earthquake, roaring deeps and fiery
sands,
Clanging fights, and flaming towns, and sinking ships, and praying
hands.
But they smile, they find a music centred in a doleful song
Steaming up, a lamentation and an ancient tale of wrong,
Like a tale of little meaning tho' the words are strong;
Chanted from an ill-used race of men that cleave the soil,
Sow the seed, and reap the harvest with enduring toil,
Storing yearly little dues of wheat, and wine and oil;
Till they perish and they suffer--some, 'tis whisper'd--down in hell
Suffer endless anguish, others in Elysian valleys dwell,
Resting weary limbs at last on beds of asphodel.
Surely, surely, slumber is more sweet than toil, the shore
Than labour in the deep mid-ocean, wind and wave and oar;
O rest ye, brother mariners, we will not wander more.




Uriel

Ralph Waldo Emerson

1803-1882



IT fell in the ancient periods
Which the brooding soul surveys,
Or ever the wild Time coin'd itself
Into calendar months and days.

This was the lapse of Uriel,
Which in Paradise befell.
Once, among the Pleiads walking,
Sayd overheard the young gods talking;
And the treason, too long pent,
To his ears was evident.
The young deities discuss'd
Laws of form, and metre just,
Orb, quintessence, and sunbeams,
What subsisteth, and what seems.
One, with low tones that decide,
And doubt and reverend use defied,
With a look that solved the sphere,
And stirr'd the devils everywhere,
Gave his sentiment divine
Against the being of a line.
'Line in nature is not found;
Unit and universe are round;
In vain produced, all rays return;
Evil will bless, and ice will burn.'
As Uriel spoke with piercing eye,
A shudder ran around the sky;
The stern old war-gods shook their heads;
The seraphs frown'd from myrtle-beds;
Seem'd to the holy festival
The rash word boded ill to all;
The balance-beam of Fate was bent;
The bounds of good and ill were rent;
Strong Hades could not keep his own,
But all slid to confusion.

A sad self-knowledge withering fell
On the beauty of Uriel;
In heaven once eminent, the god
Withdrew that hour into his cloud;
Whether doom'd to long gyration
In the sea of generation,
Or by knowledge grown too bright
To hit the nerve of feebler sight.
Straightway a forgetting wind
Stole over the celestial kind,
And their lips the secret kept,
If in ashes the fire-seed slept.
But, now and then, truth-speaking things
Shamed the angels' veiling wings;
And, shrilling from the solar course,
Or from fruit of chemic force,
Procession of a soul in matter,
Or the speeding change of water,
Or out of the good of evil born,
Came Uriel's voice of cherub scorn,
And a blush tinged the upper sky,
And the gods shook, they knew not why.




Return!

Sydney Dobell

1824-1874



RETURN, return! all night my lamp is burning,
All night, like it, my wide eyes watch and burn;
Like it, I fade and pale, when day returning
Bears witness that the absent can return,
Return, return.

Like it, I lessen with a lengthening sadness,
Like it, I burn to waste and waste to burn,
Like it, I spend the golden oil of gladness
To feed the sorrowy signal for return,
Return, return.

Like it, like it, whene'er the east wind sings,
I bend and shake; like it, I quake and yearn,
When Hope's late butterflies, with whispering wings,
Fly in out of the dark, to fall and burn--
Burn in the watchfire of return,
Return, return.

Like it, the very flame whereby I pine
Consumes me to its nature. While I mourn
My soul becomes a better soul than mine,
And from its brightening beacon I discern
My starry love go forth from me, and shine
Across the seas a path for thy return,
Return, return.

Return, return! all night I see it burn,
All night it prays like me, and lifts a twin
Of palmed praying hands that meet and yearn--
Yearn to the impleaded skies for thy return.
Day, like a golden fetter, locks them in,
And wans the light that withers, tho' it burn
As warmly still for thy return;
Still thro' the splendid load uplifts the thin
Pale, paler, palest patience that can learn
Naught but that votive sign for thy return--
That single suppliant sign for thy return,
Return, return.

Return, return! lest haply, love, or e'er
Thou touch the lamp the light have ceased to burn,
And thou, who thro' the window didst discern
The wonted flame, shalt reach the topmost stair
To find no wide eyes watching there,
No wither'd welcome waiting thy return!
A passing ghost, a smoke-wreath in the air,
The flameless ashes, and the soulless urn,
Warm with the famish'd fire that lived to burn--
Burn out its lingering life for thy return,
Its last of lingering life for thy return,
Its last of lingering life to light thy late return,
Return, return.




Coronemus nos Rosis antequam marcescant

Thomas Jordan

1612?-1685



LET us drink and be merry, dance, joke, and rejoice,
With claret and sherry, theorbo and voice!
The changeable world to our joy is unjust,
All treasure 's uncertain,
Then down with your dust!
In frolics dispose your pounds, shillings, and pence,
For we shall be nothing a hundred years hence.

We'll sport and be free with Moll, Betty, and Dolly,
Have oysters and lobsters to cure melancholy:
Fish-dinners will make a man spring like a flea,
Dame Venus, love's lady,
Was born of the sea;
With her and with Bacchus we'll tickle the sense,
For we shall be past it a hundred years hence.

Your most beautiful bride who with garlands is crown'd
And kills with each glance as she treads on the ground,
Whose lightness and brightness doth shine in such splendour
That none but the stars
Are thought fit to attend her,
Though now she be pleasant and sweet to the sense,
Will be damnable mouldy a hundred years hence.

Then why should we turmoil in cares and in fears,
Turn all our tranquill'ty to sighs and to tears?
Let 's eat, drink, and play till the worms do corrupt us,
'Tis certain, Post mortem
Nulla voluptas.
For health, wealth and beauty, wit, learning and sense,
Must all come to nothing a hundred years hence.




The Trooper and the Maid

Anonymous

18th Century



Child Ballad 299

A trooper lad came here last night,
With riding he was weary,
A trooper lad came here last night,
When the moon shone bright and clearly.

Chorus 1

Bonny lassie, I'll lie near you,
Hey bonny lassie, I'll lie near you,
I'll gar all your ribbons reel,
Bonny lassie, ere I leave you.
She's ta'en his high horse by the head,
She's led him to the stable,
She's given him both corn and hay
As much as he was able.

Chorus 1

She's ta'en the trooper by the hand
And led him to the table,
There's food and wine for a soldier here,
As much as he is able.
Chorus 1
She went upstairs to make the bed,
And she made it soft and easy.
She's pulled her petticoats o'er her head,
Crying, Soldier, are you ready ?

Chorus 1

He's taken off his big topcoat,
Likewise his hat and feather.
He's ta'en the broadsword from his side,
And now he's down beside her.

Chorus 1

They had not been an hour in bed,
An hour but and a quarter,
When the drums came beating up the town,
And every beat got shorter.

Chorus 2

Bonny lassie, I must leave you,
Now bonny lassie, I must leave you,
If ever I come this road again
I will come in and see you.
She's ta'en her gown out o'er her arms,
And followed him through Stirling.
She's grown so full she could not bow,
And he left her in Dunfermline.

Chorus 2

It's when will you come back again
To be your bairnie's daddy ?
When cockle shells grow silver bells
It's when I'll come and wed ye.

Chorus 2




Aurora

William Alexander Earl of Stirling

1580?-1640



O HAPPY Tithon! if thou know'st thy hap,
And valuest thy wealth, as I my want,
Then need'st thou not--which ah! I grieve to grant--
Repine at Jove, lull'd in his leman's lap:
That golden shower in which he did repose--
One dewy drop it stains
Which thy Aurora rains
Upon the rural plains,
When from thy bed she passionately goes.

Then, waken'd with the music of the merles,
She not remembers Memnon when she mourns:
That faithful flame which in her bosom burns
From crystal conduits throws those liquid pearls:
Sad from thy sight so soon to be removed,
She so her grief delates.
--O favour'd by the fates
Above the happiest states,
Who art of one so worthy well-beloved!




Exordium

George Cabot Lodge

1873-1909



Speak! said my soul, be stern and adequate;
The sunset falls from Heaven, the year is late,
Love waits with fallen tresses at thy gate
And mourns for perished days.
Speak! in the rigor of thy fate and mine,
Ere these scant, dying days, bright-lipped with wine,
All one by one depart, resigned, divine,
Through desert, autumn ways.

Speak! thou art lonely in thy chilly mind,
With all this desperate solitude of wind,
The solitude of tears that make thee blind,
Of wild and causeless tears.
Speak! thou hast need of me, heart, hand and head,
Speak, if it be an echo of thy dread,
A dirge of hope, of young illusions dead --
Perchance God hears!




Vanilla Damnation

Zachary Bosch

21st Century



Stanger, We've met before
At least a hundred times
In the produce aisle of my head.
I know you.
You smell of vanilla,
You taste of blood.
Are you perhaps the sweet prince of light
and salvation?
Or perhaps just another stairway
Into the darkness of my long corrupt soul?
Mine eyes be the gateway to our damnation,
For I love thee already.